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With American co-screenwriter Diane Johnson, Kubrick moved from the conventions of traditional horror film thrillers, displacing them with his own, much more subtle, rich, symbolic motifs. The principal, ghostly character in the film is the classic haunted house – a huge, isolated Colorado mountain resort hotel, the Overlook.
The shifting camera views pick up a tiny yellow Volkswagen far below the sole car on the unpopulated strip of road penetrating into the paradisical wilderness in early winter. In more views, it moves across the face of the mountainside from lower right to upper left of the frame as the credits begin to roll, and the camera catches up with the car.
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